
Culling is not necessarily a negative experience. It's inspiring. I've been photographing work I had forgotten about that I would like to push further or reinterpret using image transfer techniques.
The studio is a mess right now but compared to the pictures I've seen of Francis Bacon's workspace the word "mess" is a relative term. So far, I've managed to sort 60% of the drawings and to group similar sizes together. The hardest task is yet to come, working with drawings 30" X 40" and bigger, or of irregular size. On top of culling, it's time to pack boxes of art books, magazines,
supplies, and never ending stuff that I have amassed over the years.
That's just what is in the studio. The rest of the house is also awaiting boxes.
"Stuff" is a ball and chain. George Carlin performs a very funny routine about STUFF. Artists generally have even more stuff than most people. We collect things because they engender ideas or because maybe we can use them in a future "assemblage." Last time I moved, it took an entire day just to transport everything that was in the studio.
Draw me FRAZZLED!!!

That's just what is in the studio. The rest of the house is also awaiting boxes.
"Stuff" is a ball and chain. George Carlin performs a very funny routine about STUFF. Artists generally have even more stuff than most people. We collect things because they engender ideas or because maybe we can use them in a future "assemblage." Last time I moved, it took an entire day just to transport everything that was in the studio.
Draw me FRAZZLED!!!
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